In recent exposures: picks from PhotoMonth festival – in pictures

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Broadway Market by Francesco Ragazzi.

PhotoMonth collaborates with major London institutions and independent venues to display a variety of modern analogue and digital photography

Broadway Market by Francesco Ragazzi.

Mon 27 Oct 2025 09.00 CET

 zoos, theme parks, indoor ski slopes and synthetic beaches. We stage-manage nature into safe, entertaining spectacles that are predictable and comfortable, stripped of danger, surprise and change. Even national parks and ski resorts have become curated environments, wilderness packaged for mass consumption.’ Showing at Art Pavillion until 26th Oct

The Anthropocene Illusion by Zed Nelson

‘As humans have moved from rural to urban life, we have distanced ourselves from nature but still crave contact with it. This longing has given rise to artificial experiences of the natural world: zoos, theme parks, indoor ski slopes and synthetic beaches’ PhotoMonth photography festival is in London venues until 3 November
Syd Shelton, Bethnal Green, from A Doctor’s story 1980-1990, Some Lives, David Widgery ‘For a generation of East-Enders Dr David Widgery was ‘The Doc’, the GP at the end of hours in the waiting room at Dr Liebson’s surgery in Bethnal Green and the Gill Street practice in Limehouse or running around the housing estates on home visits. I visited and photo- graphed many of his patents withhim before his untimely death in 1991.’

David Widgery by Syd Shelton

‘For a generation of EastEnders, Dr David Widgery was “the Doc”, the GP at the end of hours in the waiting room at Dr Liebson’s surgery in Bethnal Green and the Gill Street practice in Limehouse, or running around the housing estates on home visits. I visited and photographed many of his patents with him before his untimely death in 1991’
Jay Lim, Singapo-ren loveLim explores his identity as a gay Singaporean Chinese man, tracing his experiences of love, intimacy, and belonging through a lens of reflection and resistance. Created between London and Singapore, the series navigates tensions within relationships between family members and lovers by borrowing the framework of “inscrutability” to communicate gay experiences that lie outside of dominant narratives. Showing at Longing – The Arts Pavillion

Singapo-ren Love by Jay Lim

Created between London and Singapore, Lim’s series navigates tensions within relationships and families by borrowing the framework of ‘inscrutability’, to communicate gay experiences that lie outside of dominant narratives
David Hoffman, Laura Buckley dancing with a friend at the 1975 E1 festival. A World Apart captures a unique moment of change in London’s East End.Brought together for the first time, these rarely seen photographs document a now- disappeared world. Bengali migrants live side-by-side with elderly Jewish shopkeepers and artisans, dockers socialise in Wapping’s clubs and pubs, neighbours and children celebrate at a raucous, multicultural Stepney festival. Showing at Four Corners until 6th Dec

Laura Buckley dancing with a friend at the 1975 E1 festival by David Hoffman

A World Apart, showing at Four Corners, captures a unique moment of change in London’s East End. The photos document a now-disappeared world: Bengali migrants live side-by-side with elderly Jewish shopkeepers and artisans, dockers socialise in Wapping’s clubs and pubs, and neighbours celebrate at a raucous Stepney festival
Sue Parkhill, TerryWith intelligent humour and an unflinching curiosity, Parkhill’s photography explores the people and shifting world around her. She captures the tender beauty of the ordinary, finding meaning in fleeting details that might otherwise go unnoticed. For her, photography is both a tool to navigate life and a way to interpret it — ‘an extension of my personality,’ she says. ‘It is who I am.’Showing at Brady Arts and Community Centre until 25th Oct

Terry by Sue Parkhill

Parkhill’s photography explores the people and shifting world around her, finding meaning in fleeting details that might otherwise go unnoticed. Photography is ‘an extension of my personality’, she says. ‘It is who I am’
Chandni Raithatha x Yvann Zahui ‘Heads of the Family’ Heads of a Family is a collaborative project by Raithatha and Zahui, which reimagines the family archive through their Ivorian and Indian diasporic lenses. Drawing from inherited photographs, the work explores memory, migration, identity, and lineage while questioning who is remembered and how stories are preserved.Through collage, layering, manipulation, and restaging, the artists reclaim narratives long shaped by colonial legacies and displacement.

Heads of a Family by Chandni Raithatha and Yvann Zahui

Heads of a Family is a project that reimagines the family archive through Ivorian and Indian diasporic lenses. Drawing from inherited photographs, the work explores memory, migration, identity and lineage
Seamus Murphy, South Beach. Florida. USA

South Beach, Florida by Seamus Murphy

Murphy’s project Strange Love explores life in post-industrial America and Russia, uncovering unexpected similarities between the two nations, and asking whether lives there are all that different, and whether we can even distinguish them in a set of photographs
Francesco Ragazzi, Broadway MarketBetween 2015 and 2016, Ragazzi shot over fifty thousand images through the window of the grocery shop where he worked, nestled inside Broadway Market. At times, he triggered the shutter himself; at others, he left the camera to its own casuality, shooting at regular intervals, always leaning in the same position on the oil shelf. Regular loners, curious couples, neighbour families—the spectacle of Broadway Market gradually unfolds in front of the shop.

Broadway Market by Francesco Ragazzi

Between 2015 and 2016, Ragazzi shot more than 50,000 pictures through the window of the grocery shop where he worked on Broadway Market. At times he triggered the shutter himself; otherwise he left the camera to shoot at regular intervals, letting the spectacle of the scene outside gradually unfold
Oliver Woods, Dad Side of the Bed, from You Are My One and Only

Dad Side of the Bed from You Are My One and Only by Oliver Woods

‘This is from a wider series about the house I grew up in, which I photographed extensively after the deaths of my parents. Within this sits another story about my childhood and my relationship with my parents following the deaths of my younger brother and sister from an ultra-rare genetic condition. In the years that followed, mum used to say to me: “You are my one and only.” This phrase always felt finely balanced between love and loss’
 what does it mean to exist as a Black body in a white space?

Blueprint 16 by Melanie Issaka

Blueprint: Black Skin, White Mask explores a desire for belonging and recognition in spaces where Black bodies are often seen as out of place. Set against the backdrop of British society, the series asks: what does it mean to exist as a Black body in a white space?
Giles Price, Al Hadba Minaret

Al Hadba Minaret by Giles Price

Price’s project Phantom Pro interrogates the evolving role of consumer drone technology in modern conflict. Set against the backdrop of Mosul, the Iraqi city captured by Isis in 2014, the images explore the intersection of war, surveillance and reconstruction through a lens typically reserved for leisure and commercial use
Two boys with their jumpers over their heads

Two boys with their jumpers over their heads, Booker Avenue primary school, Liverpool, 1988 by Markéta Luskačová

Luskačová is one of eight contemporary artists who engage with the Ragged School site, a place charged with emotion and layered social history, holding the traces of the lives once shaped within it

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